Max Eugeni (b. Wirral, 2000) is a recent Royal College of Art graduate, and part of The Old Fire Station Collective in Port Sunlight. Working across a diverse range of printmaking and sculptural processes, including collagraph, collage, etching, and woodcut, he explores our relationship with pattern, structure and form.
Through abstraction, he invites the viewer into spaces of gentle uncertainty – not to solve or explain, but to encourage open questioning. His processes become ways of manipulating form and emulate the systems of conceptualising and imagining – taking abstract imagery through cycles of construction, deconstruction, and reconstruction. Conscious forms are threaded with intuitive ones; patterns are built, then shifted; connections formed, then broken; ideas found, then torn apart.